Cassie dating nicki minaj rodzina polanieckich online dating
Musically, it features strong basslines and synthesizers, along with guitar riffs and rapping.Its lyrical content is described as a "fun but pithy kiss-off to men who try to buy love with money and jewels." The song received acclaim from music critics, who complimented Minaj's rapping style, its structure and Cassie's inclusion.And Nicki is so inspiring, I learned so much from her just even being on camera and watching her perform." It was written by Minaj, Anjulie Persaud, along with Jonas Jeberg and Jean Baptiste, who produced and co-produced the track respectively.It features a mix of synth swoops, syncopated percussion and gurgling acoustic guitar arpeggios by Jeberg and Baptiste.I have been repping so hard for Nicki Minaj ever since I first caught wind of her mixtapes.When she hooked up with Young Money and became the hottest woman in the rap game, I was psyched to hear her on the best tracks on the radio.Nicki Minaj confirmed the re-release of Pink Friday: Roman Reloaded and its lead single in September 2012 at the 2012 MTV Video Music Awards, telling E!
She seemed to be so authentic, putting herself out there as a fierce female with lyrical talent and unafraid to be open about her bisexuality. Before I even address the fact that she’s recanting, I’d like to say that I know many fans will think she is lying, and that’s certainly a possibility.Artists surely feel pressure, especially in certain musical communities or even in their own personal lives, so it’s possible that when she said she doesn’t date or have sex with women, she felt the need to lie. While sometimes men are titilated by two women together, others can feel threatened.Perhaps Nicki’s signing of breasts and very Sapphic lyrics have some men under the impression she’s untouchable, and not in a good way.Artistdirect characterized the song by stating that it "stirs a perfect storm between clever hip hop, potent pop, and soulful acoustic pondering." They detailed its structure: "Minaj lets haters know what they can do via a blunt, brilliant verse before the otherworldly cyber beat funnels into an impressive infectious robotized refrain," continuing that "then, utterly unexpectedly, the track descends into an acoustic strum and Cassie pristinely singing, 'You get high and fuck a bunch of girls and then cry on top of the world.'" In the lyrical content, it appears to have Minaj rapping her "most ferocious lines" according to Pitchfork, exemplified by: "I tell 'em Nicki be chillin'/ I'ma keep hurting their feelings/ Because you'll never be Jordan/ You couldn't even be Pippen/ You couldn't even be trippin'/ You can't afford a vacation/ I'm out in Haiti with Haitians/ I go to Asia with Asians/ You mad dusty/ You a lil' dusty possum/ I just come through with the six like my name was Blossom." The song garnered praise from contemporary music critics. Kennedy from the Los Angeles Times commented that Minaj has "married the two styles" of rap and pop with "The Boys," adding that the song "begs for immediate radio play" and is a "fresh reminder of the Minaj tracks her rap fans love." Writing for Artistdirect, Rick Florino gave the song five out of five stars, calling it "one of Minaj's best tracks yet and a landmark song for 2012," thanking her for "changing the game again" and claiming that "there's no one as exciting as Nicki Minaj in either pop or hip hop." Robbie Daw from Idolator said that the song "probably won't shake out as being the most memorable entry into Nicki's canon of jams," applauding Cassie's vocal contribution: "we dig the way Cassie's soft vocals glide in atop a shimmery acoustic guitar." Carrie Batten of Pitchfork gave it a positive review by writing the track is "a zig-zagging pocket symphony whose bubblegum is so sugary it might actually raise your glycemic index just by hitting your ears." Nadeska Alexis of the same publication wrote that "the rapper has finally found a bit of balance between her hip-hop roots and her pop persona," attributing that to the fact "while the radio-ready beat is certainly pop, Minaj also gets back to spitting bars," noticing Cassie's "sugary hook." Mickey Woods from Glamour felt that "The Boys" is "just as rainbow-brite spaz-tastic as we've come to expect from Nicki," elaborating, "Kaleidoscopic in its scope, the song practically zig-zags through genres and rapid-fire rhyme schemes while somehow managing to sound catchy enough to give me one of those insta-sugar boosts that only the catchiest pop music can give." Behind-the-scenes footage was shared online on October 3, 2012, showing a colorful pink set with Minaj wearing neon colored clothing and driving around a block in a "souped-up pink whip" featuring "Barb-inspired delights" and her alter ego Roman's own ice cream parlor.
Minaj can be heard saying, "Whoa, I wanna live on this block." Cassie explained everyone had an opportunity to play on set with their interpretation of the track, and she came up with the idea of sporting a men's suit with Ken doll-inspired hair while counting money to "mock the boys a little bit." The final scene originated from Tilley so there would be "some sort of ending to the story." She cleared up the original concept and talked about the experience: "[Nicki's] taking over, she's re-upping, she's re-loading, so that was just Colin's off-the-wall concept and idea but I love it.Initially a track recorded by Cassie for her second studio album under the title "Money on Love," it was subsequently played for Minaj during sessions for The Re-Up, who decided to keep Cassie's vocals but wrote her own verses with certain production portions also being re-worked.